THE ESCAPIST

A hardened convict (Frank Perry) serving a life sentence decides to escape from prison in order to reach his alienated daughter. The daughter's life hangs on a thread after suffering a drug overdose. Time is of the essence, as Perry puts together a motley crew of convicts and sets in motion an impetuous plan to escape.

Released in the U.S. on March 30^th 2009, THE ESCAPIST features a capable cast of actors led my Brian Cox (Frank Perry), Joseph Fiennes (Lenny Drake), Dominic Cooper (Lacey) and Steven Mackintosh (Tony). The screenplay is co-written by Daniel Hardy and Rupert Wyatt and the film marks the feature length directorial debut of Wyatt.

The plot of THE ESCAPIST utilizes an incomplex tried and true recipe. Take one 'Jailhouse Savvy Lifer,' give him a reason to escape, mix in a few colourful inmates, a plausible escape plan and Voila! Add to that the 'Typical Penitentiary Sexual Predator' along with the 'Scared Straight Newbie' and then we have subplot. Frank Perry receives a letter from his estranged wife saying that their daughter is in a bad state following two heart failures. Unable to do anything while incarcerated Perry has nothing to lose and everything to gain, so the decision to escape is obvious. The plot is elementary when compared to such great prison break movies like THE SHAWSHANK REDEMPTION and THE GREAT ESCAPE. But what sets this film apart is purely plot structure. The film opens simultaneously by showing Perry's reason for escape and the beginning of the actual escape. This clever order of storytelling gives the film a fresh feel. Instead of using the entire first act to build up to the escape, this inventive use of parallel storylines keeps the film spontaneous. The story prevents itself from becoming lethargic with these sudden bursts of tense scenes.

The dialogue is a mish-mash of English and Irish slang providing authenticity to its characters. Simple dialogue for a simple plot.

I am a fan of films that display a unique visual atmosphere. The cinematography does not disappoint, it creates a harsh prison environment. The colour palette is faded and almost has a matte finish to it. It highlights the cold and dingy mood of an old prison. The editing is also a contributing factor to the overall feel of this movie. But what stands out is the unique score of the film. With its gritty violin riffs and fast paced drums, the score is the most memorable element of the film.

THE ESCAPIST is clearly an Actor's Movie. Comprised of a number of recognizable but unknown actors, this film relies on its ensemble cast. Joseph SHAKESPEARE IN LOVE Fiennes tries his hand as the 'Tough Guy,' but at times he seems too concerned about trying to look rugged. Dominic MAMMA MIA Cooper plays the new con on the block with fragility and nuance. Steven UNDERWORLD: RISE OF THE LYCANS Mackintosh gives a sinister and engaging performance as the resident sexual predator. But much of the acting praise is deserved by Brian X MEN 2 Cox, who also Executive Produced the film. Cox's role of Frank Perry was tailor-written for him and his commitment to the character is evident. I am unaware as to the extent of Cox's character research but he gives a believable performance as the 'slammer seasoned' Perry.

THE ESCAPIST is a good first time effort by director Rupert Wyatt who had only previously directed a few short films. Unfortunately the subject matter has been overused, and the characters are somewhat clichéd. But the ending gives this film a bit of redemption. The crafty twist at the conclusion sets this story apart and links the flashback scenes with the present scenes. The directing is well rounded and competent. Although the film is lacking in certain areas this is one of those British Indie Flicks that is worth the watch.

Rating: 4 COCONUTS
S.V.Fernando